Sorry, your blog cannot share posts by email. The Musée Rodin in Paris has a room dedicated to Claudel’s works. An interconnected world is not as recent as we think. A plaster version of the sculpture was exhibited in 1899 and then cast in bronze privately in 1902. Rodin, however, refused to marry her, reluctant to end his long-term relationship with Rose Beuret, mother of his son, and later his wife. The original work, commissioned by the French state in 1895, is believed to have been destroyed by the artist after the second casting in 1913. In 1892, after an abortion, Claudel ended the intimate aspect of her relationship with Rodin, although they saw each other regularly until 1898. Based on these letters, this sculpture was personal and autobiographical work. Post was not sent - check your email addresses! “Don’t fear anything for your letters, they are burnt one by one, and I hope you do the same with mine.” A plaster version of the sculpture was exhibited in 1899, and then cast in bronze privately in 1902. Sculptures. The two bronzes can be seen in Paris, the first at the Musée d’Orsay and the second at the Musée Rodin. Jul 30, 2020 - The first version of The Age of Maturity, only a plaster of which is in our possession, dates from 1894-95 according to a letter sent by Claudel to her brother Paul, in December 1893, where she calls it her “three-figure group”. The sculptress envisaged including a tree leaning at an angle in the group to further underline her central idea of destiny. Claudel started working in Rodin’s workshop around 1884 and became a source of inspiration for him. We believe that the brilliant histories of art belong to everyone, no matter their background. A young woman is on her knees at the back of the sculpture, trying to hold on to a man who is in the arms of an older woman. You are welcome to review our Privacy Policies via the top menu. Thus, Rodin was shocked and angered when he saw the sculpture for the first time in 1899. A young woman is kneeling who has just released the hand of the older standing man who he is being drawn away by the embrace of an older woman with a swirling drape. “The Mature Age” by Camille Claudel comprises three nude figures. The man is not actually standing between the women, the older one is leading him away with her, with no visible resistance from him. She never lived with Rodin, but the affair agitated her family; as a result, Claudel left the family home. We believe art has the power to transform lives and to build understanding across cultures. Claudel, The Age of Maturity Video transcript - [Voiceover] We're at the Musee d'Orsay, and we're looking at a cast from 1917, the year that Rodin died, of his The Gates of Hell, which is this huge project that the artist worked on for the last decades of his life, that he never finished. In this sculpture, there are many interpretationas as to its meaning. The sculptress envisaged including a tree leaning at an angle in the group to further underline her central idea of destiny. It may be seen as an image of destiny, as found in several other works by the artist during this period. Help Smarthistory continue to make a difference, Help make art history relevant and engaging. Camille Claudel (1864 – 1943) was a French sculptor, who although she died in relative obscurity, has, in recent times, gained recognition for the originality of her work. The sculptures can also be interpreted as reflecting Claudel’s abandonment by Auguste Rodin, who, after a lover’s relationship with the younger Camille Claudel, returned to his older partner. The two bronzes can be seen in Paris, the first at the, Photo Credit: Jean-Pierre Dalbéra from Paris, France [CC BY 2.0 (. Camille Claudel sculpture : L'Age Mur (the Age of Maturity) Camille Claudel (1864-1943) decided very soon to become a sculptor, and in 1881 she took up residence in Paris, confident in her destiny. . One interpretation of Claudel’s masterpiece L’Âge mûr (The Age of Maturity), begun in 1893, is that it represents a male figure being drawn away by a personification of old age, while simultaneously being held back by a figure of youth. – Camille Claudel, Photo Credit: Jean-Pierre Dalbéra from Paris, France [CC BY 2.0 (https://creativecommons.org/licenses/by/2.0)]; 2) Thibsweb [Public domain], Sponsor a Masterpiece with YOUR NAME CHOICE for $5. Pugin, Palace of Westminster (Houses of Parliament), A Portrait of John Ruskin and Masculine Ideals of Dress in the Nineteenth Century, Sleeping Beauty — but without the Kiss: Burne-Jones and the Briar Rose series, William Butterfield, All Saints, Margaret Street, London, William Morris and Philip Webb, Red House, Winterhalter’s Portrait of The Empress Eugénie, Haussmann the Demolisher and the creation of modern Paris, Looking east: how Japan inspired Monet, Van Gogh and other Western artists, Introduction to Neo-Impressionism, Part I, Introduction to Neo-Impressionism, Part II, Why Is This Woman in the Jungle? Henri Rousseau's, Hector Guimard, Cité entrance, Métropolitain, Paris, Léon Bakst, "Costume design for the ballet The Firebird", An Introduction to The Peredvizhniki (The Wanderers), https://smarthistory.org/claudel-the-age-of-maturity/. Camille Claudel sculpture : L'Age Mur (the Age of Maturity) Camille Claudel (1864-1943) decided very soon to become a sculptor, and in 1881 she took up residence in Paris, confident in her destiny. The Mature Age (in French, "L'Âge mûr"), also named Destiny, The Path of Life or Fatality (1894–1900) is a sculpture by French artist Camille Claudel.The work was commissioned by the French government in 1895, but the commission was cancelled in 1899 before a bronze was cast. Born: 1864, Fère-en-Tardenois, Aisne, France, Died: 1943 (aged 78), Montdevergues, Vaucluse, France. She acted as his model, his confidante, and his lover. This complex arrangement and a later abortion caused a separation between Claudel and Rodin in 1892, but they remained in contact until 1898. The Age of Maturity/L'âge mûr is probably the work that most lends itself to an interpretation based on autobiographical narrative: the end of the relationship between Claudel and Rodin. Rodin was an extraordinary creative artist and a prolific worker. Dimensions: 121 cm × 180 cm × 73 cm (48 in × 71 in × 29 in). The sculptures can also be interpreted as reflecting Claudel’s abandonment by Auguste Rodin, who, after a lover’s relationship with the younger Camille Claudel, returned to his older partner. She was the co-worker and lover of sculptor Auguste Rodin. In actual fact, the association of the three figures with Camille Claudel , Auguste Rodin and Rose Beuret arose some time after the sculpture was first exhibited. Maturity was commissioned in 1895, and exhibited in 1899, but the bronze was never ordered and Claudel did not deliver the plaster model. The sculpture can be viewed as an allegory of aging, the man leaving behind youth and progressing towards maturity and eventual death. She met Auguste Rodin in 1883 and became his mistress. Cite this page as: Ben Pollitt, "Camille Claudel, Featured | Art that brings U.S. history to life, At-Risk Cultural Heritage Education Series. After attending the “Petite École”, he worked in the studio of the ornamentalist Albert-Ernest Carrier-Belleuse, first in Paris, then in Brussels, where his skill in handling decorative subjects fashionable in the 18th century became apparent. L'Age mûr [Maturity] After the break between Camille Claudel and Rodin, the latter tried to help Claudel indirectly and obtained a state commission for her from the Director of Fine Arts. The Age of Maturity Camille Claudel (51 artworks, 1,526 followers) Camille Claudel (French pronunciation: [kamij klɔdɛl] ( listen); 8 December 1864 – 19 October 1943) was a … The younger one stays behind, her hands stretched out toward him beseechingly. National Museum of African American History and Culture, J.F.Kennedy Presidential Library and Museum, Peabody Museum of Archaeology and Ethnology, National Roman Legion Museum & Caerleon Fortress & Baths, Musée National du Moyen Age – National Museum of the Middle Ages, Akrotiri Archaeological Site – Santorini – Thera, Museum of the History of the Olympic Games, Alte Nationalgalerie – National Gallery, Berlin, Deutsches Historisches Museum – German Historical Museum, Österreichische Galerie Belvedere – Virtual Tour, Museo Nacional Centro de Arte Reina Sofía- Virtual Tour, Nationalmuseum – National Museum of Fine Arts, Stockholm, National Museum of Art, Architecture and Design, Jewish Museum of Australia – Virtual Tour, National Portrait Gallery, Canberra, Australia, Museum and Art Gallery of the Northern Territory, Museo Nacional de Bellas Artes (Buenos Aires), Most Popular Museums, Art and Historical Sites, Museum Masterpieces and Historical Objects, Popular Museums, Art and Historical Sites, Musée National du Moyen Age – Thermes De Cluny (National Museum of Medieval Art), https://creativecommons.org/licenses/by/2.0, Title: The Mature Age, Also named: Destiny, The Path of Life or Fatality, Artist: Camille Claudel, Year: Modelled in clay 1893; cast in bronze 1913.