If you are playing in G Major, it is most accepted to play only the modes as seen in G major. For example, when writing in the key of G major, I will use chords related to that key such as Gmaj, Cmaj, Dmaj, Bmin, etc. coool ! Great! We will all be learning how to write solos 'til the day we kick the bucket! Each mode comprises a specific sequence of half steps and whole steps that distinguish it from other modes and give it its unique sound and character. When 12 musical notes are used subsequent to each other, the sequence becomes the, A scale of seven notes which has 6 major or minor triads and one tritone is called a. The best thing you can do is listen to as much music as possible, establish from there what kind of aspects of the music you like, and then try to incorporate similar ideas into your writing. So take an A scale: This way we can relate modes back to a major scale (Ionian mode) that we are already familiar with. Examples of Modal Music. As a bonus, all of these licks work just as well over an E dominant seventh–type chord vamp, such as the one shown in FIGURE 14, due to our ears being conditioned to accept the minor third, in this case, G, as being a blue note when heard over a dominant seventh chord. Great lesson! When you have it in one mode, it performs one way, and when you have it in another mode, it performs in another way. In FIGURE 7, I use a rhythmically similar approach but begin in seventh position, gradually working my way down the fretboard to fourth position with an abundance of hammer-ons, pull-offs and finger slides used to connect scale positions. E Dorian is based on the parent D major scale (D E F# G A B C#), beginning on its second degree (E F# G A B C# D). Dmin-Gmaj-Cmaj-C9-Amin. Using different “modes” can help your track really stand out from the generic scales used in most modern music. My guitar teacher and me are goingthorugh the stuff as well atm, but he said that if i want to play for example Dorian over an A minor chord, i just play the G major scale starting from A. Let me just see if I understand what you wrote. I really should write another lesson sometime soon, this one's getting quite old now! You play what you want to hear. Afro, well i meant G major haha ,guess we're messing up both:) good you saw it before ppl get confused. How to Make House Music in Ableton Live - Step by Step! Am I correct? If theres a plain B jam track on Youtube, which modes can I use for that? and again great lesson tho' ! Here are two different ways to construct musical modes. When we play that C scale starting on an F note, we call it an F Lydian mode. Be sure to memorize this pattern. Thanks,,..but still have some Q's,,,so in Key you have three Majors...Four minors...C,d,e F,G,a,b,....can you mix mode of Major or Minor...say and F with C...G with F...d with e,,,ect....thanks........different scale with different Chord.... That's confusing..... U say G Ionian over the G Major chord, B Phrygian over the E Minor chord, D Mixolydian over the Dmajor chord and back to G Ionian for that last Gmajor. Build music modes by moving the tonic up or down the seven scale degrees at the start of the scale. EMAIL. really enjoy reading. In fact, major and minor scales are synonyms for two of the modes that we will see below. The Phrygian mode starts on the 3rd scale degree of the major scale. The Locrian mode starts on the 7th scale degree of the major scale. This means they use the same interval pattern as a major scale. etc.) i understand everything from your lesson and your response so far, thanks! Does that help at all? It wont work probably because you have an F#major chord and Aeolian is a minor scale. The modal theory is the concept and key construction of the various types of modes. Let's say I'm jamming over the key of B. Just wanted to chime in with a clarifying question, hopefully you're still watching this. But recently, the use of modes in various forms of music is on the rise. When writing a piece of music, we inherently choose either strong notes, weak notes, or passing notes depending on the scale and chords. If not post back and we'll work through it. But, for more variation, can you use any mode of G, C, etc? It is these interval which give each mode their own distinct "flavor" as you call it; not so much the notes themselves. try it out sometime man, you'd get a kick outta it! Of the B Major modes, it would sound best to use the D# Phrygian, or G# Aeolian on the minor chords, because they are minor modes, and are still part of the B Major scale, just with different roots for the different sounds. Either way though, it still does the same basic thing: it blends. FIGURE 8 illustrates the D major scale utilizing open strings. No that would be a different thing altogether, because you're simply combining two unrelated scales. The difference is the tonic (the root note) and the sequence of half steps and whole steps. A clothes dryer has several modes, but they all dry your clothes in one way or another. Look, I already understand intervals and the major scale and basic theory like what you gave me. I just wanted to clear a few things up so I know I'm on the right track... Let’s start by laying down a basic funk- type groove that’s built around an Em7 chord (FIGURE 1). The difference is the tonic note (the root note) and the sequence of intervals between the notes.